• Accessibility
      Font
    • A+
    • Aa


  • Events
  • Search
  • en
    • pt
  • Bienal
  • About Us
  • From Bienal to Bienal
  • Events
  • +Bienal
  • Library
  • Historical Archive
  • Partners
  • Transparency
  • Bienal Café
  • Contact us
  • Press
  • Visual Identity
Home Digital artwork Ausências ou sintomas? [Absences or Symptoms?] – Gustavo Caboco’s digital journey in collaboration with Fundação Bienal de São Paulo

7 Nov 2023

Ausências ou sintomas? [Absences or Symptoms?] – Gustavo Caboco’s digital journey in collaboration with Fundação Bienal de São Paulo

© Gustavo Caboco / Fundação Bienal de São Paulo

Through in-depth research in the Bienal Archive, the artist Gustavo Caboco, with Tipuici Manoki, produced a digital artwork and a publication commissioned by the Fundação Bienal de São Paulo.

Check out here the digital work Ausências ou sintomas? [Portuguese only]

Gustavo Caboco, a Wapichana visual artist born in 1989, is recognized for his versatile artistic production, encompassing drawing-document, painting, text, embroidery, animation and performance. His work deals with profound themes, such as the displacement of Indigenous bodies and the cultivation of Wapichana memory. His independent research in museum collections aims to support the causes of Indigenous peoples in the fight for their rights. Gustavo Caboco was one of the participants in the 34th Bienal de São Paulo – Though It’s Dark, Still I Sing.

Based on his extensive research into collections, the Fundação Bienal de São Paulo opened the doors of the Arquivo Histórico Wanda Svevo to Gustavo Caboco, giving him the opportunity to create a commissioned digital work and a book. For this research, Gustavo worked with Tipuici Manoki to reflect on the Indigenous absence in the Bienal Archive. Tipuici is a filmmaker and is researching the importance of women in the political and ritual processes of the Manoki people. In the process, the artist and the filmmaker asked themselves what an “archive” is for Indigenous peoples.

The Arquivo Histórico Wanda Svevo, also known as the Bienal Archive, has more than a million documents related to the Bienais de São Paulo and their influence on the history of art in Latin America. “We were invited to research the Indigenous presence in the history of the Bienal, but what happened was a dialog with the absences. So we made a publication, to start dealing with this issue of absences, and invited Indigenous relatives to a public event to reflect on ‘what is archive’ for Indigenous populations,” explains Gustavo.

With these questions in mind, Gustavo Caboco produced a digital artwork entitled Ausências ou sintomas? [Absences or Sypmtoms?] and a publication entitled “Isso tudo não me diz nada” [All of This Tells Me Nothing]. These projects were entirely commissioned by the Fundação Bienal de São Paulo.

On October 28, 2023, Gustavo and Tipuici presented this process to the public at the Conversations with Absences event, which is part of the public program of the 35th Bienal de São Paulo. The conversation was also attended by Almires Martins Guarani and Boe Liberio.

See below the publication “Isso tudo não me diz nada”, by Gustavo Caboco and Tipuici Manoki, available only in Portuguese.

Read too


Access +bienal
Document-feather-cotton thread delivered by the artist Gustavo Caboco Wapichana to the Arquivo Histórico Wanda Svevo © Levi Fanan / Fundação Bienal de São Paulo
News14 May 2025

‘Living’ archives and the memory that is rebuilt

Based on research at the Arquivo Histórico Wanda Svevo, Gustavo Caboco Wapichana and Tipuici Manoki wondered about Indigenous absence in contemporary art archives. Researcher Marilúcia Bottallo looks at the results of this research and explores other aspects of this process.

Learn more
Portrait of Wanda Svevo. Photo: Unknown authorship
Interviews29 Apr 2025

Wanda Svevo: a family profile

Based on an interview with Alberto Svevo – son of Wanda Svevo, the founder of the Bienal Archive – we put together a profile of his mother from an intimate point of view.

Learn more
Detail view of Templo de Oxalá, by Rubem Valentim, during the 35th Bienal de São Paulo – choreographies of the impossible © Levi Fanan / Fundação Bienal de São Paulo
Articles15 Apr 2025

Wall as Support: Rubem Valentim’s Templo de Oxalá

Researcher Bruno Pinheiro revisits the emblematic installation presented by Rubem Valentim at the 14th Bienal de São Paulo, in 1977, and analyzes how the work articulates Afro-Brazilian spirituality, sacred geometry and modernist architecture, projecting a space of resistance and reflection that gains new strength with its reassembly at the 35th Bienal.

Learn more

Newsletter

Subscribe to the Bienal newsletter

Bienal

  • About Us
  • From Bienal to Bienal
  • Events
  • +Bienal
  • Library
  • Partners
  • Bienal Café
  • Transparency

  • Contact us
  • Visual Identity

Fundação Bienal de São Paulo

Av. Pedro Álvares Cabral, s/n - Moema CEP 04094-050 / São Paulo - SP

Contact

+55 11 5576.7600 contato@bienal.org.br

Privacy
•
Terms of use
Copyright © 2025 Bienal de São Paulo
Ao clicar em "Concordar", você concorda com uso de cookies para melhorar e personalizar sua experiência, bem como nossa Política de Privacidade. Ver a Política de Privacidade*.
Concordar