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Installation view of works by Arthur Bispo do Rosário during 30th Bienal de São Paulo – The imminence of the poetics – © Leo Eloy / Fundação Bienal de São Paulo
Articles 20 Sep 2024

Art and madness at the Bienal de São Paulo

The psychoanalyst and researcher Flavia Corpas relates different editions of the Bienal to what is understood as madness at that time. Read more.

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Jota Mombaça, Pavimento no 1, 2021. Paint on asphalt. Painted by Coletivo Feminino de Arte de Sorocaba (Cofas) for the 3rd Frestas – Trienal de Artes do Sesc Sorocaba. – Photo: MinaVoz
Articles 25 Jul 2024

Minimum texts, maximum readings

Artist Fabio Morais reflects on the use of texts – sometimes small, sometimes gigantic – in works of art and how the word merges with the image, using works by artists such as Leonilson, Carmela Gross, Rubens Gerchman and Regina José Galindo to exemplify the use of words and poetry in art.

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Placa em aço com letras que vão de cada uma das bordas, cujo início do texto é "no aprendizado malandro e sensual do seu organismo vietcong" seguido de diversas letras representando todas as variações tipográficas de um alfabeto latino.
Fábio Morais, Aprendizado malandro [Crafty Learning], 2019. Brushed stainless steel 430 with low relief engraving. 180 x 295 x 1 mm – Courtesy of the artist
Articles 12 Jul 2024

Digital art and the challenges of its conservation

Livia Benedetti and Marcela Vieira, creators of the art projects website aarea, comment on the challenges of conservating and creating a platform for digital art.

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Djanira, 1940s – © Instituto Pintora Djanira
Articles 27 Jun 2024

Djanira and the writing of a life

Journalist, literature curator and writer Joselia Aguiar recounts her experience of coming across and studying the life of Djanira (1914-1979), an artist whose career has been revalued in recent years, in order to prepare a biography of the painter.

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A foto mostra seis pessoas lado a lado num jardim com uma varanda atrás e um raio de luz passando por elas – algumas de pé e algumas sentadas –, ao lado esquerdo está uma mulher negra de cabelo afro vestida de branco de pé, uma mulher branca e loira sentada sorrindo vestida de preto, um homem negro de terno, gorro verde e lenço no pescoço sorrindo e juntando as mãos, uma mulher de origem árabe e cabelo encaracolado vestida de preto sorrindo, um homem negro de cabelo curto vestido de bege cruzando as mãos sobre as pernas, e uma mulher branca de vestido preto longo sorrindo de pé.
From left to right: Keyna Eleison, Anna Roberta Goetz, Bonaventure Soh Bejeng Ndikung, Alya Sebti, Thiago de Paula Souza and Henriette Gallus, the conceptual team of the 36th Bienal de São Paulo – © Fundação Bienal de São Paulo
News 29 May 2024

Fundação Bienal de São Paulo announces the conceptual team for the 36th Bienal de São Paulo

The conceptual team assembled by chief curator Bonaventure Soh Bejeng Ndikung is made up of five professionals. The team is currently working on the curatorial project, which will be unveiled in the second half of this year

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Foto de Bonaventure S. B. Ndikung, que mostra em primeiro plano um homem negro, de barba, usando um gorro verde, lenço estampado, roupa verde com casaco preto, olhando diretamente para a câmera com um leve sorriso, diante de um prédio de concreto e vidro
Bonaventure Soh Bejeng Ndikung – © Jana Edisonga / Fundação Bienal de São Paulo
News 2 Apr 2024

Bonaventure Soh Bejeng Ndikung appointed chief curator of the 36th Bienal de São Paulo

Fundação Bienal de São Paulo is pleased to announce that Bonaventure Soh Bejeng Ndikung will be the chief curator of the 36th Bienal de São Paulo, scheduled for the second half of 2025

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Glicéria Tupinambá, Manto tupinambá [Tupinambá Mantle], 2023 – Courtesy of the artist. Photo: Glicéria Tupinambá
News 30 Jan 2024

Walking birds: Brazil’s participation highlights the production and resistance of native peoples at the 60th International Art Exhibition – La Biennale di Venezia

Brazil renews its presence at the Venice Biennale with the exhibition Ka’a Pûera: we are walking birds. The exhibition features the resistance and artistic production of Brazil’s native peoples, updating the problematic issues of colonization

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– © Levi Fanan / Fundação Bienal de São Paulo
News 9 Jan 2024

The traveling exhibitions program of the 35th Bienal will reach Brazil and the world

After critical and public success at the Bienal Pavilion, the choreographies of the impossible are ready to travel to fifteen cities, both in Brazil and abroad

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A foto mostra uma mulher diante de uma copa de árvore e de um edifício horizontal com janela em pano de vidro (piso-teto). A mulher é branca, tem os cabelos pretos compridos, está sorrindo e tem seu braço direito estendido em 45º e o esquerdo rente ao corpo. Ela usa uma blusa sem mangas preta, brincos e um colar branco.
Andrea Pinheiro – © Levi Fanan / Fundação Bienal de São Paulo
News 13 Dec 2023

Fundação Bienal elects Andrea Pinheiro as President of the Board of Directors

The new president will begin on January 2, 2024 with a proposal to restructure the way the curatorial team of the Bienal de São Paulo is appointed; Maguy Etlin is elected first vice-president of the Board, which is also made up of seven other members

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– © Fundação Bienal de São Paulo
News 12 Dec 2023

Bienal joins Bulgari to create the podcast Em obras

For the first time, the Fundação Bienal de São Paulo is collaborating with the iconic Italian brand Bulgari to launch a podcast produced by Trovão Mídia: Em obras. The podcast marks the closing of the 35th Bienal de São Paulo at the Ciccillo Matarazzo Pavilion and the start of its tour of Brazil and the world.

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– © Gustavo Caboco / Fundação Bienal de São Paulo
Digital artwork 7 Nov 2023

Ausências ou sintomas? [Absences or Symptoms?] – Gustavo Caboco’s digital journey in collaboration with Fundação Bienal de São Paulo

Through in-depth research in the Bienal Archive, the artist Gustavo Caboco, with Tipuici Manoki, produced a digital artwork and a publication commissioned by the Fundação Bienal de São Paulo.

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Gloria Anzaldúa, “Transparencies for Gigs”, drawing 4, undated Facsimile 21,6 x 27,9 cm – Collection: The Nettie Lee Benson Latin American Collection, Austin Courtesy: The Gloria E. Anzaldúa Literary Trust & Benson Latin American Collection, LLILAS Benson Latin American Studies and Collections, The University of Texas at Austin
Articles 7 Nov 2023

A m b u s h imagined to devise o erro

danie valencia sepúlveda writes an essay for +bienal based on provocations by the 35th Bienal de São Paulo – choreographies of the impossible

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Installation view of Tadáskía during the 35th Bienal de São Paulo – choreographies of the impossible – © Levi Fanan / Fundação Bienal de São Paulo
Interviews 3 Nov 2023

Tadáskía: My Work Has a Life of Its Own

An interview with the Brazilian artist about her participation in the 35th Bienal de São Paulo

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Brazil Pavilion façade – © Riccardo Tosetto / Fundação Bienal de São Paulo
News 1 Nov 2023

Fundação Bienal de São Paulo, the Ministry of Foreign Affairs and the Ministry of Culture announce the curators and artist for Brazil’s national participation at the 60th International Art Exhibition – La Biennale di Venezia

This year, a new evaluation system has been adopted for the selection of the curatorial and artistic program for the Brazilian Pavilion, with a committee formed by representatives of the three organizing bodies evaluating projects by guest curators, making the process more open and participatory. As part of the selected proposal, the Brazil Pavilion will be renamed during the exhibition

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– © Leo Eloy / Fundação Bienal de São Paulo
Articles 19 Sep 2023

Visual essay: The assembly of the 35th Bienal de São Paulo – choreographies of the impossible, by Leo Eloy

Anyone who has visited the 35th Bienal de São Paulo can imagine the excitement behind the scenes of an exhibition of such proportions. To share some of that moment with you, we invited photographer Leo Eloy to create a visual essay of the assembly of the choreographies of the impossible.

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