danie valencia sepúlveda writes an essay for +bienal based on provocations by the 35th Bienal de São Paulo – choreographies of the impossible

An interview with the Brazilian artist about her participation in the 35th Bienal de São Paulo

This year, a new evaluation system has been adopted for the selection of the curatorial and artistic program for the Brazilian Pavilion, with a committee formed by representatives of the three organizing bodies evaluating projects by guest curators, making the process more open and participatory. As part of the selected proposal, the Brazil Pavilion will be renamed during the exhibition

Anyone who has visited the 35th Bienal de São Paulo can imagine the excitement behind the scenes of an exhibition of such proportions. To share some of that moment with you, we invited photographer Leo Eloy to create a visual essay of the assembly of the choreographies of the impossible.

The second oldest biennial in the world and the largest contemporary art event in the Southern Hemisphere and the Americas is now open. With 121 participants, the Bienal reveals new perspectives on the world based on the urgencies of current times;

The exhibition presents approximately 1,100 artworks of different mediums, spread over the 30,000 square meters of the Ciccillo Matarazzo Pavilion in Ibirapuera Park, which has undergone accessibility adjustments and renovations to host the event.

From June 7, 2023, the accreditation for the press and professional previews of the 35th Bienal de São Paulo – choreographies of the impossible is open. The opening to the public happens on September 6. Check out how to register.

In this article, the writer, editor and curator Miguel del Castillo searches for the union between photography and poetry in many Brazilian photobooks

Karen Sacconi’s play places ancient Greek theater in dialogue with the contemporary and the arts

For the first time in history, Brazil takes the Golden Lion for Best National Participation at the International Architecture Exhibition – La Biennale di Venezia.

The collective Comer História talks about the history of the most Brazilian dish – rice and beans – and its relation to contemporary art. Know more!

Discover the first partial list of artists, the visual identity, website, curatorial council and educational proposal of the 35th Bienal de São Paulo – choreographies of the impossible

In an interview to Bienal, f.marquespenteado tells us about their participation on the 30th Bienal, their relation with embroidery and different identities

Know more about Terra [Earth], the exhibition that will represent Brazil on the 18th International Architecture Exhibition – La Biennale di Venezia

Curator and researcher Giulia Casalini comments on Brazilian trans artists

KW Institute for Contemporary Art invites Grada Kilomba, part of the curatorial collective of the 35th Bienal, to an open conversation