“Alexandre Wollner himself takes a step forward. While the poster for the previous edition still displayed the resonance of a Constructivist work of art, here specifíc elements of graphic design language are themselves featured as the theme, with reticules becoming the basis for half tones ín pn’nted images. We are no longer looking at a work of art with some text attached to it but rather a piece in which text and image form a cohesive whole”. Bienal 50 Anos, 1951-2001, 2001, p.295