Posts

Posts

1 Jan 2000

Milton Becerra, ‘Estados de Relación’ [Relationship States]

1 Jan 2000

Opening of the 18th Bienal

1 Jan 2000

Installation of the Special Exhibition: Expressionism in Brazil – Inheritances and Affinities, with a partial view of works by Wesley Duke Lee, ‘O Macaco’ [The Monkey] and ‘Tríptico: O Guardião; A Guardiã; As Circunstâncias’ [Triptych: The Guardian; The Guardian; The circumstances]

1 Jan 2000

Visitors with Jonathan Borofsky’s work ‘Seven Chattering Men’

1 Jan 2000

Educational activity at the 18th Bienal proposed by the Special Exhibition: Children and Youth at the Bienal

1 Jan 2000

Visitors walk through the ‘Great Canvas’ corridor during the 18th Bienal, Special Exhibition: Expressionism in Brazil – Inheritances and Affinities

1 Jan 2000

Visitors at the Special Exhibition: The Tourist Apprentice, at the 18th Bienal. On the left is Maureen Bisilliat’s ‘Mestre Bumba” – Maranhão’

1 Jan 2000

Visitors at the Special Exhibition: The Tourist Apprentice, at the 18th Bienal

1 Jan 2000

Visitors in Alex Vallauri’s installation ‘Festa na Casa da Rainha do Frango Assado’ [Party at the Queen of Roasted Chicken’s]

1 Jan 2000

Opening of the 18th Bienal with a view of Jonathan Borofsky’s works ‘Seven Chattering Men’ and ‘Flying Figure’ in the Pavilion’s central space

1 Jan 1985

Exposição: O Turista Aprendiz

1 Jan 1985

Exposição: Expressionismo no Brasil

1 Jan 1985

18th Bienal Poster

Privacy

•

Terms of use

Copyright © 2023 Bienal de São Paulo

Ao clicar em "Concordar", você concorda com uso de cookies para melhorar e personalizar sua experiência, bem como nossa Política de Privacidade. Ver a Política de Privacidade*.

Concordar