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Publications

1 Jan 2000

Soo-Ja Kim, ‘Cities on the move–2727 kilometers Bottari truck’ representing Korea

1 Jan 2000

Regina Silveira, ‘Tropel’, on the facade of the 24th Bienal, participating in the Brazilian Contemporary Art section: One and/among Others – One among Others

1 Jan 2000

Antonio Manuel, ‘Fantasma’ [Ghost], in the Brazilian Contemporary Art section: One and/among Others – One among Others

1 Jan 2000

Performance by Laura Lima, ‘Untitled’ In the background is Edgard de Souza’s ‘Sem título (Dois Corpos)’ [Untitled (Two Bodies)]. Participating in the Brazilian Contemporary Art section: One and/among Others – One among Others

1 Jan 2000

Installation view of Théodore Géricault’s ‘Le Radeau de la Meduse’ [The raft of the Medusa] in the Historical Nucleus of the 24th Bienal.

1 Jan 2000

24th Bienal Poster

1 Jan 2000

Emmanuel Nassar, ‘Bandeiras’ [Flags], in the section One and/among Others

1 Jan 2000

Delson Uchoa, ‘Roi roi’, in the section One and/among Others

1 Jan 2000

Ivens Machado, ‘Mapa mudo’ [Mute Map], in the section One and/among Others – One among Others; and Michael Craig-Martin, ‘Making Sense,’ representing the United Kingdom

1 Jan 2000

The central space at the 24th Bienal featuring Choi Jeong Hwa’s ‘Encore, encore, encore’ in Roteiros – Asia

1 Jan 2000

Partial view of the 24th Bienal featuring works by Tracey Moffatt, ‘Up in the sky’; Luo Brothers, ‘Welcome to the world’s most famous brands’; Iftikhar & Elizabeth Dadi, ‘Power of Love’; and Choi Jeong Hwa, ‘Dangerous Relationship (touch me)’

1 Jan 2000

The 24th Bienal Historical Nucleus featuring works by Albert Eckhout and 16th-18th centuries, ‘Mameluca’ [Mamluk] ‘Mulher Africana’ [African Woman] ‘Índia Tupi’ and ‘Índia Tarairiu’

1 Jan 2000

The 24th Bienal Historical Nucleus featuring Vincent van Gogh’s paintings ‘The schoolboy (The mailman’s son)’ and ‘L’Arlésienne (Portrait of Madame Ginoux)’

1 Jan 2000

Iftikhar & Elizabeth Dadi, ‘Power of Love’, participating in the section Roteiros – Asia

1 Jan 2000

Educational activity featuring Olafur Elisasson’s, ‘The very large floor,’ representing Denmark

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