Open Meeting Porto Alegre
Report on 31st Bienal Open Meeting held in Porto Alegre, on 11 October 2013, at Santander Cultural.
Report on 31st Bienal Open Meeting held in Porto Alegre, on 11 October 2013, at Santander Cultural.
The curatorial team started working in August 2013 and is concentrating on the research, selection, production and arrangement of the Bienal. There is currently no fixed theme…
Charles Esche, Pablo Lafuente, Galit Eilat, Oren Sagiv and Nuria Enguita Mayo will curate the 2014 show
Arthur Bispo do Rosário was exhibited for the first time at the Bienal de São Paulo in its 30th edition. Six years after his death, his work was shown at the 46. Biennale di Venezia…
The promotional material for the design of the World Trade Center in New York, from 1964, four years before its construction.
The Archive selected the main highlights of the press regarding the opening of Bienals exhibitions.
In the form Kaprow completed for the Archive, one notes that in 1957 many of the works by the artist were drawings and paintings.
In the 30th Bienal Reading Room, an encounter with philosopher Adriana Gurgel brings in some ideas from Vilém Flusser.
Typographer Cláudio Rocha came to the Archive to research images for the Bienal Timeline.
Last week, the team from the 30th Bienal Reading Room, visited Sarau Vila Fundão in the region of the Campo Limpo and Capão Redondo, neighbourhoods situated in the Southeast of São Paulo.
Ricardo Basbaum is an artist participating in the 30th Biennial and his definition of an “etc-artist” is an interesting point of departure for understanding his work and his role as an artist.
We have arrived at post #50 of the Arquive’s blog, in which, since September of 2011, we have told little stories about Bienal de São Paulo, all taken from this endless source of content that is the Arquivo Bienal.
Luis Pérez-Oramas, general curator of the 30th Bienal, was among the guest curators for the 24th Bienal (1998). He was responsible for organising the special collection of his fellow countryman, Venezuelan artist, Armando Reverón.
The great central span holds a particularly privileged location in the Biennial Pavillion, outlined as it is by the ramp from the ground floor and the guard rails between the second and third levels
Subscribe to the Bienal newsletter