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Home News The Audience

13 Jun 2012

The Audience

One hundred thousand people visited the 1st Bienal in 1951. This figure doubled for the second edition in 1953 and the Bienal of Guernica saw an avid audience who waited expectantly at the doors for the exhibition to open. The sixth edition, held a decade later in the current Pavilion, saw 300 thousand people pass through the doors.


Now in its sixth decade of life, how many people will visit the 30th Bienal, from September to December this year?

Here are some images taken from that first decade, highlighting that essential ingredient of the exhibition, without which the event would make no sense: the audience.

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Inauguration of the 1st Bienal, 1951. Ciccillo Matarazzo is in the center of the image.

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The public at the entrance to the 2nd Bienal at the Pavilhão das Nações (1953)

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The 6th Bienal at the Pavilhão Ciccillo Matarazzo (1961)

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Detail view os Brasilidades, by Moisés Patrício, during the 36th Bienal de São Paulo© Natt Fejfar / Fundação Bienal de São Paulo
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Foto de três mulheres sentadas, uma mulher negra veste roupa vermelha e sorri, no meio, uma mulher negra sorri com os lábios fechados usando roupa bege e, ao lado direito, uma mulher branca sorri abaixada para o lado usando uma roupa verde.
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Foto de pessoa deitada olhando para a câmera com obra feita de galhos e gravetos atrás dela.
Sallisa Rosa during the installation of the 36th Bienal de São Paulo© Fe Avila / Fundação Bienal de São Paulo
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Many names: interview with Sallisa Rosa

A circular maze that visitors can walk through constitutes the work Muitos nomes [Many Names], created by Sallisa Rosa for the 36th Bienal de São Paulo. Composed mainly of tied and interwoven branches and vines, the work is now part of the Bienal’s traveling exhibition in Goiânia. Read the artist’s statement below.

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