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Home EnglishThe Audience

13 Jun 2012

The Audience

One hundred thousand people visited the 1st Bienal in 1951. This figure doubled for the second edition in 1953 and the Bienal of Guernica saw an avid audience who waited expectantly at the doors for the exhibition to open. The sixth edition, held a decade later in the current Pavilion, saw 300 thousand people pass through the doors.


Now in its sixth decade of life, how many people will visit the 30th Bienal, from September to December this year?

Here are some images taken from that first decade, highlighting that essential ingredient of the exhibition, without which the event would make no sense: the audience.

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Inauguration of the 1st Bienal, 1951. Ciccillo Matarazzo is in the center of the image.

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The public at the entrance to the 2nd Bienal at the Pavilhão das Nações (1953)

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The 6th Bienal at the Pavilhão Ciccillo Matarazzo (1961)

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Uma pessoa com cabelo curto e encaracolado, vestindo uma camisa branca, um colete estampado e calças largas escuras, está em meio a uma instalação de arte. A instalação apresenta inúmeras hastes de metal escuras e retorcidas, semelhantes a raízes ou galhos, que cobrem o chão e se elevam ao redor da pessoa. Cortinas altas, de cor laranja claro, estão ao fundo.
Artist Rebeca Carapiá with her sculptures during the 36th Bienal de São Paulo© Levi Fanan / Fundação Bienal de São Paulo
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Foto da equipe curatorial da 37ª Bienal, que é composta de nove pessoas, todas de pé, uma ao lado da outra, diante do vão central do Pavilhão da Bienal, um prédio branco, com rampas curvadas, uma coluna central e outras laterais. As pessoas são de diversas cores, etnias e idades, e estão todas usando roupas com tons escuros, e sorriem.
From left to right: Rado Ištok, Mayara Carvalho, Amanda Carneiro, Ryan Inouye, Yina Jiménez Suriel, Ana Salazar Herrera, Amanda Tavares, Raphael Fonseca, and Léuli Eshrāghi, the curatorial team of the 37th Bienal de São Paulo.© Camila Tuon / Fundação Bienal de São Paulo
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The Fundação Bienal de São Paulo announces the curatorial team for the 37th Bienal de São Paulo

The curatorial team, led by chief curators Amanda Carneiro and Raphael Fonseca, brings together nine professionals from across the globe.

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View of Sérgio Soarez's work during the 36th Bienal de São Paulo© Julia Bolliger Murari / Fundação Bienal de São Paulo
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The griot artist who converses with ancestrality: an interview with Sérgio Soarez

Through assemblage, Sérgio Soarez brings together iron objects — such as keys, knives, drill bits, pliers and tools – and wooden objects – such as blocks, rocaille, simple planks and ornaments – to coexist, combining different lives, times and uses, the traces of which are etched into their forms. His works are now part of the travelling exhibition of the 36th Bienal in Brasília. Read the artist’s statement below.

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