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Home News Uses of art

9 Sep 2014

Uses of art

Headquartered in the Bienal Pavilion and open to the public, Program in Time‘s symposiums are concerned with three key issues related to social, political, cultural and artistic conditions. The first of a series of discussions and conferences, Uses of art considers the artistic practice from the perspective of its possibilities for action.

Uses of art
September 13

The one-day symposium is co-organized by Stephen Wright and takes inspiration from his recent publication Towards a Lexicon of Usership. The day will be dedicated to recent advances in the theory surrounding “users” and the relationship between use and artistic projects.

11am – 1pm Stephen Wright on “Uses of art” (moderated by Charles Esche)
2.30pm – 5pm Presentations by SP and Brazil-based cultural producers looking at the application of art to aspirations for social change: Graziela Kunsch (São Paulo); Jose Eduardo Ferreira Santos and Vilma Santos (Acervo da Laje, Salvador); Ana Lira and Felipe Peres Calheiros (Recife); Romario Alves (Belém)
5.30pm – 7.30pm Round table with Tony Chakar, Suely Rolnik and Stephen Wright

Uses of art institutions
October 12

A second Uses of art symposium will examine the potential value of the use of art institutions and spaces and their capacity to function as platforms for critical thought and social change. 

10.30am – 1pm Reforming Institutions: Charles Esche, Bart de Baere, Zdenka Badovinac, Vasif Kortun
1pm – 3pm Lunch time for Uses of Art/Guarani and performances by Agência Popular de Cultura Solano Trindade
3pm – 6.30pm 
Creating Institutions: Farid Rakun (ruangrupa, Indonesia); Paola Santoscoy (El Eco, México); Emily Pethick (Cluster, Netherlands); Sumesh Sharma (Clark House Initiative, India); Sally Mizrachi (Lugar a Dudas, Colombia) – Ben, would you like to moderate this talk? We know this is an important issue for you and Casa do Povo.

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Uma pessoa com cabelo curto e encaracolado, vestindo uma camisa branca, um colete estampado e calças largas escuras, está em meio a uma instalação de arte. A instalação apresenta inúmeras hastes de metal escuras e retorcidas, semelhantes a raízes ou galhos, que cobrem o chão e se elevam ao redor da pessoa. Cortinas altas, de cor laranja claro, estão ao fundo.
Artist Rebeca Carapiá with her sculptures during the 36th Bienal de São Paulo© Levi Fanan / Fundação Bienal de São Paulo
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Foto da equipe curatorial da 37ª Bienal, que é composta de nove pessoas, todas de pé, uma ao lado da outra, diante do vão central do Pavilhão da Bienal, um prédio branco, com rampas curvadas, uma coluna central e outras laterais. As pessoas são de diversas cores, etnias e idades, e estão todas usando roupas com tons escuros, e sorriem.
From left to right: Rado Ištok, Mayara Carvalho, Amanda Carneiro, Ryan Inouye, Yina Jiménez Suriel, Ana Salazar Herrera, Amanda Tavares, Raphael Fonseca, and Léuli Eshrāghi, the curatorial team of the 37th Bienal de São Paulo.© Camila Tuon / Fundação Bienal de São Paulo
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The Fundação Bienal de São Paulo announces the curatorial team for the 37th Bienal de São Paulo

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View of Sérgio Soarez's work during the 36th Bienal de São Paulo© Julia Bolliger Murari / Fundação Bienal de São Paulo
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The griot artist who converses with ancestrality: an interview with Sérgio Soarez

Through assemblage, Sérgio Soarez brings together iron objects — such as keys, knives, drill bits, pliers and tools – and wooden objects – such as blocks, rocaille, simple planks and ornaments – to coexist, combining different lives, times and uses, the traces of which are etched into their forms. His works are now part of the travelling exhibition of the 36th Bienal in Brasília. Read the artist’s statement below.

Learn more

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