• Accessibility
      Font
    • A+
    • Aa


  • Events
  • Search
  • en
    • pt
  • Bienal
  • About Us
  • From Bienal to Bienal
  • Events
  • +Bienal
  • Library
  • Historical Archive
  • Partners
  • Transparency
  • Bienal Café
  • Contact us
  • Press
  • Visual Identity
Home News Pavilion of Brazil at the 14. MIA – la Biennale di Venezia

8 Apr 2014

Pavilion of Brazil at the 14. MIA – la Biennale di Venezia

 

Under the title Fundamentals, the Biennale di Architettura 2014 is curated by the Dutch architect Rem Koolhaas, who proposed a specific theme for the participating countries:  Absorbing Modernity 1914-2014, an invitation to understand how national architectures absorbed modernity during the last century and how, or if, they managed to maintain more traditional elements.

Invited by the Bienal de São Paulo Foundation, the diplomat and architecture critic André Aranha Corrêa do Lago agreed to curate the Brazilian contribution to the exhibition. “Brazil is one of the countries that absorbed the precepts of modern architecture in the most interesting ways, and this helped strengthen the national identity. Unlike other countries, which, over the centuries, developed a typical national architecture—recognizable in caricatural form to other peoples—what we call ‘Brazilian architecture’ is not a legacy of the past, but is actually modern”—says the curator.

The exhibition that will occupy the Brazil Pavilion aims to show the chronological evolution of Brazilian architecture, organized into “building” types: collective housing, individual residences, governmental buildings, schools, urbanism, landscaping, pavilions and cultural centers. In addition to projects of significance to the evolution of Brazilian architecture, such as the pre-Colombian (Indian shacks), vernacular constructions and baroque designs, the show highlights works that display a strong international influence, such as Capanema Palace, Pampulha and Brasília. The exhibition shows that Brazilian architecture became so relevant thanks to a steady stream of important personalities, many of whom worked in close contact: Lucio Costa, Oscar Niemeyer, Roberto Burle Marx, Affonso Reidy, Lina Bo Bardi, Lelé (João Filgueiras Lima) and Paulo Mendes da Rocha. It’s an impressive wealth of talent.

 

About 50 architects and 180 projects comprise the exhibition, which spans various generations. In addition to the names above, also represented are the historic oeuvres of Vilanova Artigas, Gregori Warchavchik and Rino Levi; the renowned architects Ruy Ohtake and Eduardo de Almeida; widely-recognized younger professionals, such as Vinicius Andrade, Marcelo Morettin, Angelo Bucci, Isay Weinfeld, Marcio Kogan and Marcos Boldarini; and the newcomers Carla Juaçaba and Rodrigo Cerviño Lopes, among others.

Panels of historic images and models of these constructions piece together an exhibition plan that pursues a chronological trajectory, guiding the visitor with essential information on the architecture of each period. Intercalated with this visual narrative are partition trellises and cobogo-brick walls, an architectural solution widely used in Brazil, composed of perforated elements that help ventilate and illuminate interiors.

Regarding the period prescribed by the theme, the curator sees Brazil as having been in the middle of a development process in which its architecture walked hand-in-glove with the various and daunting economic challenges posed by accelerated growth. Furthermore, he highlights the relevance architecture had at the time, thanks to its centrality in the pursuit of solutions for a range of urban problems, especially the influx of billions of people into the world’s cities: “According to the UN, it will be possible to eradicate extreme poverty by 2030. It’s also known that, by that stage, the population will have become overwhelmingly urban as a matter of survival and that humanity will only be able to curb climate change by paring back its unsustainable levels of production and consumption. Brazil has become mainstream on two fronts, insofar as it has kept abreast of the architectonic debate per se and is addressing the major global challenges with effective solutions.”

About Brazil’s participation in the 14th International Architecture Exhibition – la Biennale di Venezia

Every two years, the Mostra Internazionale di Architettura – La Biennale di Venezia serves up a major collective exhibition and dozens of national pavilions. The organization of the official Brazilian delegation is a collaboration between the Foreign Ministry, responsible for the upkeep of the Brazil Pavilion, the Ministry of Culture, which supplies funding through Funarte, and the Bienal de São Paulo Foundation, which produces the exhibition.

 

|images: Pampulha’s Church, 2000, ©Cristiano Mascaro; MAC Niterói, 1999, ©Cristiano Mascaro

Read too


Access +bienal
Document-feather-cotton thread delivered by the artist Gustavo Caboco Wapichana to the Arquivo Histórico Wanda Svevo © Levi Fanan / Fundação Bienal de São Paulo
News14 May 2025

‘Living’ archives and the memory that is rebuilt

Based on research at the Arquivo Histórico Wanda Svevo, Gustavo Caboco Wapichana and Tipuici Manoki wondered about Indigenous absence in contemporary art archives. Researcher Marilúcia Bottallo looks at the results of this research and explores other aspects of this process.

Learn more
Portrait of Wanda Svevo. Photo: Unknown authorship
Interviews29 Apr 2025

Wanda Svevo: a family profile

Based on an interview with Alberto Svevo – son of Wanda Svevo, the founder of the Bienal Archive – we put together a profile of his mother from an intimate point of view.

Learn more
Detail view of Templo de Oxalá, by Rubem Valentim, during the 35th Bienal de São Paulo – choreographies of the impossible © Levi Fanan / Fundação Bienal de São Paulo
Articles15 Apr 2025

Wall as Support: Rubem Valentim’s Templo de Oxalá

Researcher Bruno Pinheiro revisits the emblematic installation presented by Rubem Valentim at the 14th Bienal de São Paulo, in 1977, and analyzes how the work articulates Afro-Brazilian spirituality, sacred geometry and modernist architecture, projecting a space of resistance and reflection that gains new strength with its reassembly at the 35th Bienal.

Learn more

Newsletter

Subscribe to the Bienal newsletter

Bienal

  • About Us
  • From Bienal to Bienal
  • Events
  • +Bienal
  • Library
  • Partners
  • Bienal Café
  • Transparency

  • Contact us
  • Visual Identity

Fundação Bienal de São Paulo

Av. Pedro Álvares Cabral, s/n - Moema CEP 04094-050 / São Paulo - SP

Contact

+55 11 5576.7600 contato@bienal.org.br

Privacy
•
Terms of use
Copyright © 2025 Bienal de São Paulo
Ao clicar em "Concordar", você concorda com uso de cookies para melhorar e personalizar sua experiência, bem como nossa Política de Privacidade. Ver a Política de Privacidade*.
Concordar